Showing posts with label The Black Hollies. Show all posts
Showing posts with label The Black Hollies. Show all posts

A Lee Grows In Brooklyn: The 40th Edition



Annual birthday bash for Dead Flowers' own Mr. Lee, featuring live music from The A-Bones, The Brought Low, The Black Hollies, and The Above. Plus: DJs Ursa Major and Pick-A-Bar spinning razor-sharp tunes all-night... Expect a night of total debauchery!

Saturday, January 22nd at The Bell House
149 Seventh Street, Brooklyn, U.S.A.
Party from 8PM - 4AM... No cover!

Save The Date!


Annual birthday bash for Dead Flowers' own Mr. Lee, featuring live music from The A-Bones, The Brought Low, The Black Hollies, and The Above. Plus: DJs Ursa Major (Legio SPQR/The Templars) and Pick-A-Bar (The 45 Adapters) spinning razor-sharp tunes all-night!

New vinyl from The Black Hollies


Dead Flowers is very proud to announce the launch of our new jukebox series, released in conjunction with our friends at Vibratone Records; the record's all sport boss company sleeves and exclusive tracks. The first 45 in the series is from The Black Hollies, featuring Casting Shadows album track "Paisley Pattern Ground," paired with the exclusive monster psych b-side "Hold Tight (Go Out Of Your Mind)" — the only recorded document of the NOW line-up of the group!!!

The 45 is available now via Vibratone's mail-order, from the band on tour (some in a special limited-edition sleeve!), or digitally here.

A chat with Justin Angelo of The Black Hollies

[ Big thanks to Rick Tupica for the following extensive interview... Check out the original -- plus tons of other great interviews! -- over at his boss Turn It Down blog. ]

"Imagine listening to old Northern Soul 45’s on a battery operated portable record player while viewing a kaleidoscope in a lavender grove," is how lead singer and bassist Justin Angelo Morey describes his New Jersey-based psychedelic garage band, The Black Hollies. After spending his formative teenage years listening to Brit Pop, collecting old rock and soul 45s and tuning into WFMU, Morey honed those influences into his own ’60s inspired band in 2004. Since then, the band has evolved into a polished, pop-inspired unit with traces of sitar. Recently The Black Hollies played SXSW and are wrapping up their tour across the United States... For an almost complete history, and the story behind the chocolate factory, read the below interview with Morey.

How did the Black Hollies form? How long have you been together?
Around the month of July in the year 2004, we were all hanging out together in Jon’s old attic. There was an old turntable located next to a bookshelf that contained books on all sorts of subjects. We would mostly spend time listening to old ’60s soul 45s and while reading books on mysticism, art, geography and spiritual enlightenment. I guess we were trying to pick up puzzle pieces of our lives while discovering new mediums to express our ideas. I suggested trying to write similar music to the others and eventually we pulled the power plug of the record player out of the wall socket and turned ourselves on.

What is your home town like?
My home town is Jersey City, New Jersey. I was born in the Margaret Hague Ward of the old Medical Center over on Montgomery Street. We resided in the Greenville section where I was exposed to all sorts of cultures, art and music. The neighborhood was a pretty rough area and presently is even rougher. The chances of being jumped while walking home from school were very high. When I was in the eighth grade, I can vividly recall always walking my first girlfriend home at night with a tool called a ’Cat’s Paw,’ (it’s usually associated with general contractors and an eighth grader trying to protect not only himself but his pretty girlfriend) in my coat pocket just in case we ran into any trouble. Fortunately we never had the need to employ such a defense mechanism.

What part of the city do you live in?
Presently, I live in the downtown area of Jersey City. There are still rough sections, but the number of young professionals now calling it home has been inspiring real estate agencies to increase rents all around. Developers are taking advantage of the new settlers by filling in holes with massive luxury condo buildings. The city has been diluted and the PATH stations are overcrowded. On a positive note, I’m no longer called, ’The Beatles’ as much. I guess that by the time they get to me, they’ve already said that more than a dozen times and just get to the point. "Brotha’ can you hook another brotha’ up with some bread?" If I’ve got a dollar I can spare, I hook them up. I believe that one day it will come back to me when I need it.

What first got you digging rock-n-roll music? What bands did you like back in high school?
"Throughout high school, I was absorbing what was going on all around me. I had discovered WFMU a couple of years prior to high school and would look forward to Bill Kelly’s radio program on Sunday afternoons. I had no idea that the records he was playing were considered ’Garage Rock.’ I simply liked the way they sounded. Also, every Saturday afternoon on this public radio station over in Newark, NJ there was this DJ Felix Hernandez, who’s still going strong, that would spin old ’60s soul music."

Were you a big soul records collector back then?
I wasn’t a collector of rare soul at this point in my life, nor did I know how to classify this genre. I simply liked the songs he would play. In high school, the whole Sub Pop, Touch and Go, SST, Amphetamine Reptile catalogs mixed with old Funk 45’s -- mixed with The Happy Mondays, Blur, Stone Roses, My Bloody Valentine, that is what my friends and I were listening to mostly. Usually we would venture over to Hoboken and purchase all of these new discoveries at a record shop called Pier Platters, R.I.P... Another record store called Stan’s Record Shop was my favorite place to escape reality and listen and learn about rare soul music, which still exists today, (it has) tons of old soul records worth checking out when visiting Jersey City. It was a block away from my high school. We would stop by there on our way to the bus stop and dig in the record bins for old 45s."

Did you see any good rock shows back then?
There were plenty of bands to see at an all ages venue on Rivington called ABC NO-RIO. We used to take the PATH into the city and walk all the way down Houston and see all of these punk and hardcore bands. Trying to find our way back home in the dark and cold winter nights was scary as hell; always a story to tell the classmates on miserable Monday mornings. Everything was rather routine until one evening when I was invited to come out to see a show at a place called the Scrap Bar in New York City. I still can not recall how we managed to get into this show because we were quite young. The first band was alright but not really my thing. The second band however, changed my life forever. I never viewed or listened to music the same after this spiritual awakening. The Nation Of Ulysses absolutely blew my mind and there simply hasn’t been another experience like that ever since. I will forever be in debt for what they provided me that night. Thank you, Nation Of Ulysses.

There is obviously some ’60s influence, but what are some other kinds of music you dig?
Obviously I really love ’60s freakbeat sounds, but I’ve grown obsessed with rare soul. It started a couple of years ago as an appreciation but now I’m powerless when it comes to it. I have no discipline and when I hear a certain song that makes the hair on my arms raise, there’s no other choice but to try and find a copy for myself. Considering the fact that the past couple of months the rent has been paid late, it’s probably not a good thing to be on the hunt for certain records. The other members of the band are into ’60s freak beat and ’60s soul music as well but, unlike me, they appreciate other music. For example, Wiley is a massive Beatles, Led Zeppelin, Noel ("Silent Morning" fame) fan. Jon absolutely loves Spacemen 3 and The Small Faces. Nick really digs The Rolling Stones and Neil Young.

The Black Hollies are on tour right now, how have those shows been so far?
All of the shows we’ve played so far have been both interesting and thoroughly entertaining for us all. You really never know what kind of scenario you’re getting yourself into prior to setting foot inside of any venue. Rituals have become a part of our daily routine. Jon and Nick have entered a secret competition that tests driving endurance. We’re talking like all state versus all county, or something along those lines. Regardless, Wiley and I don’t really fully understand what they’re trying to do but we’re certain that something is going on. Wiley begins our day with positive affirmations regarding life. When the distance to the next city exceeds eight hours of driving, Wiley may see to it that we get additional reading. Running out of gear sends us into panic mode so naturally we’ll begin to withdraw into our little worlds until we receive gifts from fans at the venue. That’s always a pleasant surprise and we’re more than grateful. SXSW was fantastic for us because our friends from home, The Nouvellas, flew into town. We managed to go bowling together one evening. What a great way to spend your evening off.

What are you up to when you’re not playing music?
When not playing music, I’m most likely going to be found at my day job over at Al Richard’s Chocolates. I am a molding production coordinator over there. Believe it or not, I manage to come up with some solid song foundations while working. I usually have to stop what I’m doing and grab a scrap piece of paper and do my best to find a working pen before the idea turns to raspberry jelly filling. When I’m not tempering chocolate for semi-solid molded items for Al Richard’s, I’m probably at home cooking. I truly enjoy cooking food while listening to my records. My past dinner guests will probably warn you ahead of time to eat something before you pop over because you’re probably going to be served at 10PM. "Okay, I apologize for detaining you all but my dishes speak for themselves and I’m rather confident that they were worth the wait. Besides, the records and the wine were fabulous."

What are some bands that you’d recommend to a friend?
Nouvellas, The Above, Beauty Ray (Wiley’s upcoming solo project), and The Beatles.

What records does the band have available? Anything new in the works?
Currently we have our first LP, Crimson Reflections and we have our latest LP, Casting Shadows. We have them both on vinyl as well as CD format. Our first single, "Tell Me What You Want" and our split release with The Dansettes are both available (Ernest Jenning Record Co.). Currently we do not have copies of our new "Paisley Pattern Ground" b/w "(Hold Tight) Go Out Of Your Mind" single (Dead Flowers/Vibratone) as the sleeves were printed wrong by the manufacturer — we hope to have them any day now.

What is the best and worst part of being a rock band?
Best part is performing your set to the fans and turning new people on to your sounds; especially when you’re able to gain people who immediately dismissed you prior to witnessing a live performance.
Worst part is that some people think its tough having one wife, you try having three husbands. For example: Four members and one hotel room. That means two grown men to a bed each night. Each member is so paranoid at the possibility of nocturnal dry humping occurring that you never obtain a good night’s rest.

What is a goal the band hopes to reach someday?
Obtaining enlightenment.

--

The Black Hollies are:
Justin Angelo Morey - Vocals, Bass
Herbert Joseph Wiley V - Guitar, Vocals
Jon Gonnelli - Guitar, Vocals
Nicholas Ferrante - Drums

Casting Shadows on the road (part 1)

THE BLACK HOLLIES LIVE!



Feb 15 - Magnetic Field
Brooklyn, New York
w/The Above

Feb 16 - Club Midway
New York, New York
w/Lyres and Traveling Circle

Feb 17 - Maxwell’s
Hoboken, New Jersey
w/ The Insomniacs and The Coffin Daggers

Feb 22 - The Talking Head
Baltimore, Maryland
w/The Flying Eyes

Feb 29 - Cafe Nine
New Haven, Connecticut
w/Les Sans Culottes

Mar 1 - Abbey Lounge
Somerville, Massachusetts

Mar 2 - The Fire
Philadelphia, Pennsylvania
w/Les Sans Culottes and The Nooses

Mar 3 - The Tremont Music Hall
Charlotte, North Carolina
w/Cashmere Blackout

Mar 4 - The Boot
Norfolk, Virginia
w/DJ Thomas

Mar 5 - JJ Bohemia
Chattanooa, Tennessee

Mar 6 - Springwater
Nashville, Tennessee

Mar 7 - Saturn Bar New Orleans
Louisiana w/Bipoloroid

Mar 8 - Club Dada
Dallas, Texas

Mar 9 - Rudyard’s
Houston, Texas

Mar 10 - Lola's
Fort Worth, Texas
w/The Hard Lessons and Thee Emergency

Mar 11 - Texas House Of Rock
Corpus Christi, Texas

Mar 12 - Beerland
Austin, Texas
(Rock-A-Round day party)
w/The Paul Collins Beat, The Boss Martians, Ugly Beats, and others!

Mar 13 - TBA
Austin, Texas

Mar 14 - Friends
Austin, Texas
(Ernest Jenning Records SXSW Showcase)
w/Nouvellas, O'Death, Takka Takka, Chris Mills, and Dalek

Mar 15 - Rockin’ Tomato (day party)
Austin, Texas
w/TSOOL, Andre Williams, The Hall Monitors, and others!

Mar 17 - Box Awesome
Lincoln, Nebraska

Mar 18 - Vaudeville Mews
Des Moines, Iowa

Mar 19 - Turf Club
St. Paul, Minnesota
w/Awesome Snakes

Mar 20 - The Note
Chicago, Illinois
w/Daughters Of The Sun

Mar 21 - Lager House
Detroit, Michigan
w/The Muldoons and The Bird Dogs

April 4 - Luna Lounge
Brooklyn, New York
w/Steve Wynn & The Miracle 3 and Spectacular Bird

(May dates to-be-announced soon!)

The colors and the shapes



Some acts are content to find a style and stick with it. The Black Hollies are more interested in progress. When the band convened in 2005 to record their debut album Crimson Reflections, it was something of an experiment, mixing '60s soul and pop structures with rave-up rock results. Now, after wide acclaim and a practice regiment that has left their jaw-dropping live shows tighter than a pegged pant leg, they've reached a little further into space, introduced a wonderfully psychedelic element to their sound, and come out on the other side with Casting Shadows, a powerful psych-rock album full of unforgettable nuggets.

Led by songwriter, vocalist and bassist Justin Angelo Morey, this crew of NY/NJ natives and lifelong friends also includes Herb Wiley V and Jon Gonnelli on dueling interstellar guitars, and the freakbeat drumming of Scott Bolasci, whose final electrifying perfomances with the band are captured here. Bolasci has since retired from the band and his sizeable shoes have been filled by the seemingly eight-armed wonder Nick Ferrante. Together, the quartet meld classic-rock touchstones with a disparate amount of influences and ideas -- Wiley is featured on sitar for a number of tracks, and the record also features the mesmerizing drones of a ragini throughout. From the opening ghostly blast of "Whispers Beneath The Willows," careening through the perfectly realized gem "Paisley Pattern Ground" and the mind twisting changes of "Bruised Tangerines," and finally settling into the soothing cool-down of "Patient Sparrow," Casting Shadows is an ALBUM in a time when folks have started to forget about the beauty of a cohesive record.

Garnering massive accolades over their East Coast adventures and unforgettable performances at both SXSW and CMJ as well as hometown freakouts alongside everyone from Ted Leo and Joan Jett, to Mary Weiss and Blue Cheer, to The Fleshtones and The Woggles; The Black Hollies continue to win over any crowd with a mix of straight skill and total sincerity. They'll be on the road throughout 2008 and you can rest assured that if you catch them once, you won't be able to shake it.

[Addendum: Be on the lookout in mid-April for a 45 featuring album track "Paisley Pattern Ground," paired with the exclusive b-side "Hold Tight (Go Out Of Your Mind)." The 45 is the first in Dead Flowers' new jukebox series, released in conjunction with Vibratone Records.]

New Year's Swingin' Eve Blow-Out!




THE FLESHTONES (Hitsburg, U.S.A.)
"The amazing thing about the Fleshtones is that every night for the last thirty years they have consistently been the best live band on earth. Year in, year out -- high, low and in between -- the Fleshtones have embodied the very essence of rock and roll." -Peter Buck, R.E.M.

THE BLACK HOLLIES (Jersey City, NJ)
"A mash up of British Invasion blues, guitar heroics and psychedelia that would bring a smile to Brian Jones' face." -Rolling Stone

DJ PHAST PHREDDIE (The Wang Dang Doodle, NYC)
Phast Phreddie "The Boogaloo Omnibus" is a club disc jockey who specializes in music of the '60s: soul, go-go, garage and mod, lounge, exotica, surf, twist, r&b, organ grooves, ska, doo wop, jerk, rockabilly and other assorted madness.

December 31st... Doors at 9PM.
(Champagne will flow!!!)

Tickets on sale soon via ticketweb.com

Magnetic Field
97 Atlantic Avenue
Brooklyn, U.S.A.